>
> >> I'm a bit of an asshole on this group because I see a widely held
prejudice.
> >> Most people aren't even aware that they are prejudiced, but the mikes
they
> >> prefer are:
> >> 1. Made by Europeans or Americans.
> >> 2. Have famous names.
> >> 3. Cost a lot of money.
>
> >> This prejudice has destroyed my recording career, because not only
are the
> >> recording engineers prejudiced, but so are the clients who want to be
> >> recorded with "expensive name" mikes.
>
> >> This was the same problem I encountered with my film career - I spent
tens
> >> of thousands on the best camera, lenses, lighting equipment, even the
best
> >> kind of table for craft service. And I've directed and acted as
> >> cinematographer on many quality films. But Hollywood is only
interested in
> >> "name" actors, "name" directors, "name" cinematographers. Essentially
it's a
> >> closed shop of jews that even other jews like me can't enter.
>
The only closed shop of Jews is in the top levels-crafts people have
an edge, but a finite one only, if they're in the tribe. They will get
the gig over a goy only if it's a dead heat in terms of a choice.
Anyway, the Chinese have a tradition of craftsman****p-bad
craftsman****p. Ever seen a pre-WWI Chinese Broomhandle Mauser copy??
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