by "Tim Perry" <timperry@[EMAIL PROTECTED]
>
Apr 11, 2008 at 09:34 AM
<0junk4me@[EMAIL PROTECTED]
> wrote in message
news:ksILj.34541$r76.19495@[EMAIL PROTECTED]
>
> On 2008-04-10 westpase-he_ac@[EMAIL PROTECTED]
said:
> >The sound designer is usually the last
> >budget consideration. What do you mean
> >the speaker has to go where? How many?
> >I can't afford that many wireless, we'll
> >borrow some,etc...
> I knowe that to be true from community theater groups I've
> worked with over the years. AT least this one's thinking
> more about boundary mics.
>
> >Does the orchestra go through the PA?
There was some mention of 2 "overheads" .... directly in fornt of one main
<sick grin>
I think maybe an X-Y pair in front of the condictor with a mon mix to
headphones for the conductior would be desirable.
....and pan away from the offending speaker.
I am told this is a hired-in pro orchestra... not the school band. Not
sure
of the size, I expect (guess) 10 - 20 pc
>
> Here was the big question. IF not go ahead and put your
> delay lines on it.
>
> Also how large is said orchestra and what's the room like?
>
A typical HS gym with stage multi-purpose room.
I am told last year was SRO 500 with an encore performance.
I am told this year is already sold out at 500.
>
>
> Richard webb,
> Replace anything before the @[EMAIL PROTECTED]
symbol with elspider for real
> email address.
>